The Ideal Solution For Graphic Style Art Prints At Low Cost
Perfectly Printed:
HD 12-colour process
Fine Art Quality:
Inks Certified 100+ yrs
Discounts On Multiples & Bulks Orders
Standard Production:
3 – 5 Working Days
Priority Service:
1 – 2 Day Turnaround
Extra Large Prints:
60 inch (1.5m) Roll
GRAPHIC ART PRINTS
HIGH VOLUME / LOW COST
Fine Art Archival Prints or Giclée Prints reveal the true quality of the image as well as the camera behind them.
Printing. 12-colour archival pigment printing (Fine Art).
Certified. Canon pigment inks are guaranteed for 100+ years.
Thickness. 6mm total. 5mm premium cast acrylic + 1mm backing.
Finishing. High gloss diamond polished and hand buffed edges.
Ready to hang. Supplied with an aluminium sub-frame as standard. Optional aluminium spacers are also available.
Branding. We can apply your own branding to the back of the product.
Bespoke sizes. Up to 1.5m in width and 3m in length.
Production time. Standard turnaround is 7 – 10 working days.
Graphic Arts Paper Options
Choose the perfect print finish for your image & style
Invercote G Smooth – 300gsm
Invercote G is a one-sided (triple coated) solid bleached board with an ultra-smooth surface. The triple coated printing side in combination with the lick coated reverse (uncoated) means Invercote G is also an excellent choice for greetings cards. Handwriting is very good on the reverse.
OLIN Uncoated – 300gsm
Olin is an uncoated paper made from pure eucalyptus fibres to give a bulky and opaque sheet and has good environmental credentials including FSC certification. A popular choice for an uncoated (matte) light textured surface.
Fedrigoni, Old Mill – 300gsm
This is an acid-free premium white artboard, is FSC® certified, environment–friendly ECF (Elemental Chlorine Free) pulp and felt-marked on both sides. This has a subtle art textured surface.
Fedrigoni, Tintoretto Gesso – 300gsm
This is an acid free textured (Tintoretto Gesso), is FSC® certified, environment–friendly ECF (Elemental Chlorine Free) pulp and felt-marked on both sides. This has a similar finish to watercolour paper.
Help & Advice
Here are some of the most frequesntly asked questions.
Yes, the acrylic comes with an aluminium subframe on the back as standard and it sits 2 inches from the top of the acrylic edge.
You can also select ‘spacers’ when ordering, but this will be shown on the front of your image, on the four corners.
We recommend the subframe as you can hang from it, and won’t affect the image (front). We provide square hangers on the sides which are also useful to help level the piece if wall fixings are not accurate. For smaller pieces (less that 30×20 inches) these can be hung directly from the subframe lip if desired. Galleries often do this as they swap images around and need a quick solution that hangs level.
The overall thickness is the same, 6mm. Our Standard Gloss Acrylic is 5mm acrylic + 1mm PVC, and the Matte acrylic is 3mm acrylic + 3mm PVC. The Matte (non-reflective finish) is thinner to retain as much detail in the image as possible. The etched surface will soften the image slightly and be more noticeable on smaller pieces.
We do not direct print acrylics, this is used more within the signage industry. We prefer greater control and detail in the printing, so all our acrylics are output on Fine Art Archival pigment machines on a high gloss photographic film, then reverse mounted onto the acrylic glass sheet.
Please allow 5mm (0.4in) for the bleed all around the image which will be lost during the mounting process.
Acrylic, Pro Mount, Dibond mounted print: Up to 59.5 in on the short edge, up to 118 in long (1.5 x 3 m)
Our HD Acrylics come with a white 1mm PVC on the back as we want to keep it as sleek as possible.
Our reliable Softproof colour management is an absolute must-have for professionals. Taking into account the print medium and print technology used, ICC profiles allow exact colour matching.